New

Voice Design. Live today.

You can design a European Portuguese AI voice with one prompt

Describe the accent, gender, age and delivery in one sentence and Gradium returns a European Portuguese (Lisbon) voice id you call from the API or the SDK. The library already carries 13 European Portuguese (Lisbon) voices, and Voice Design covers whatever it does not.

Lisbon accent, Lisboa accent, Portugal Portuguese, pt-PT and european portuguese (lisbon) all describe the same voice. Write it as European Portuguese in your prompt.

Hear it

  • BrunaEuropean Portuguese (Lisbon)
    0:00

The prompt
that produced it

An European Portuguese female voice, 40 to 55, for customer service: calm and crisp, with mid-low pitch, steady natural pacing, medium energy and warm rounded resonance. Ideal for reassuring walkthroughs, empathic de-escalation and complex IT support.

A worked example: change any part of it and the voice changes with it. The four styles below show what moving pitch, pace, energy or purpose does to the same accent.

Pitch2/5
lowhigh
Pace3/5
slowfast
Energy3/5
calmboisterous

The same accent at 81
from one prompt

Age is the part of a voice a fixed library cannot vary. Written into the prompt, it comes back in the voice.

Uma voz de homem português de 81 anos, serena e ressonante, lenta e pausada, sotaque de Portugal.

The prompt that produced the clip above.

European Portuguese (Lisbon)
in four styles

A prompt is built from parts: the accent, the age, then pitch, pace, energy and what the voice is for. Change one part and you get a variation. These four are starting points to adapt, not finished prompts.

Pitch 3 · Pace 3 · Energy 3

Everything to the middle. Watch Vowel reduction: it is the feature a mid-range read is most likely to soften, and the one a listener places European Portuguese (Lisbon) by.

An European Portuguese male voice, 30 to 45, for customer service: easy and unforced, with mid pitch, steady natural pacing, medium energy and a natural unforced resonance. Ideal for voice agents, assistants and dialogue that has to sound unscripted.

In colour: the 9 parts that make this style.

What makes European Portuguese (Lisbon)
sound like itself

Each feature below is something the prompt has to encode, or something a careless prompt will accidentally undo.

Vowel reduction
Unstressed vowels centralise and can disappear, so Portuguese compresses words that Brazilian keeps open. It gives European Portuguese its dense, consonant-forward texture and makes it noticeably harder for non-native listeners.
Final S becomes SH
Syllable-final s is produced as a sh, so os livros carries two sh sounds. Alongside vowel reduction this is the fastest way to tell European from Brazilian in a single phrase.
Alveolar or uvular R
European Portuguese commonly uses a uvular r closer to French than to the Brazilian guttural h. A prompt written for a Brazilian voice will not transfer cleanly because this consonant is doing different work.
Stress-timed feel
The heavy reduction of unstressed syllables gives European Portuguese a stress-timed rhythm closer to English than to the more even Brazilian line. Pace values therefore behave differently between the two, and copying one prompt to the other produces the wrong tempo.

13 European Portuguese (Lisbon) voices
already in the library

Ready to call with no design step. Hear a few here, then open any in the studio or write a prompt of your own.

Another 9 European Portuguese (Lisbon) voices are in the catalogue. Sign in to hear them all, or design one to your own spec from a prompt.

The prompt,
and where it goes wrong

The method behind the prompt: what each clause does, what breaks it, and what it was tested on.

Questions?
Answered

Hear European Portuguese (Lisbon)
in the studio

Every voice we ship clears blind listener comparison and an ELO ranking first, because roughly one candidate in a thousand has it. For European Portuguese (Lisbon), the feature that decides it is usually Vowel reduction.

Open a voice, type your own script, and listen. Then write a prompt of your own to design a variant. No recording, no casting, no licensing.