Describe the accent, gender, age and delivery in one sentence and Gradium returns a Austrian German voice id you call from the API or the SDK. The library already carries 4 Austrian German voices, and Voice Design covers whatever it does not.
Österreichisch, Viennese accent, Wienerisch, Vienna accent and austrian german all describe the same voice. Write it as Austrian German in your prompt.
Hear it
An Austrian German female voice, 55 to 65: clean, deliberate and precise, with low pitch, slow pacing, low-to-mid energy, resonant timbre and a gentle low-to-high flow. Ideal for projecting academic authority.
A worked example: change any part of it and the voice changes with it. The four styles below show what moving pitch, pace, energy or purpose does to the same accent.
Age is the part of a voice a fixed library cannot vary. Written into the prompt, it comes back in the voice.
Eine höfliche österreichische Frauenstimme, 34 Jahre, freundlich und zugewandt, weicher Wiener Klang, mittleres Tempo.
The prompt that produced the clip above.
A prompt is built from parts: the accent, the age, then pitch, pace, energy and what the voice is for. Change one part and you get a variation. These four are starting points to adapt, not finished prompts.
Everything to the middle. Watch Lenition of P, T and K: it is the feature a mid-range read is most likely to soften, and the one a listener places Austrian German by.
An Austrian German male voice, 30 to 45: easy and unforced, with mid pitch, steady natural pacing, medium energy and a natural unforced resonance. Ideal for voice agents, assistants and dialogue that has to sound unscripted.
In colour: the 9 parts that make this style.
Pitch, pace and energy drop together. Moving one alone produces a voice performing gravity rather than carrying it, and in Austrian German it usually costs lenition of p, t and k.
An Austrian German male voice, 45 to 60: clean, deliberate and precise, with low pitch, slow pacing, low energy and deep resonant timbre. Ideal for audiobooks, documentary and long-form narration.
In colour: the 9 parts that make this style.
Warmth belongs in the resonance rather than the energy. Keep an ear on Different vowel quality, which a support brief tends to flatten.
An Austrian German male voice, 35 to 50, for customer service: calm and crisp, with mid-low pitch, steady natural pacing, medium energy and warm rounded resonance. Ideal for reassuring walkthroughs and empathic de-escalation.
In colour: the 10 parts that make this style.
Check this by ear before committing. How much energy an accent carries before it reads as theatrical varies sharply, and Austrian German is no exception: push it and listen for whether lenition of p, t and k survives.
An Austrian German male voice, 25 to 35: bright and punchy, with mid-high pitch, fast pacing, high energy and bright forward resonance. Ideal for advertising reads and social video.
In colour: the 9 parts that make this style.
Each feature below is something the prompt has to encode, or something a careless prompt will accidentally undo.
What Austrian German tells a listener
Ready to call with no design step. Hear a few here, then open any in the studio or write a prompt of your own.
Adult · Male
A calm low-pitched male delivery with a pleasant tone.
vbg20SqFS_gBntTQAnother 2 Austrian German voices are in the catalogue. Sign in to hear them all, or design one to your own spec from a prompt.
The method behind the prompt: what each clause does, what breaks it, and what it was tested on.
Each row is one part of the prompt above and what it is set to here. Change a single row and you get a variation on this voice; change several and you get a different one.
| Clause | This prompt |
|---|---|
| Accent / localechanged | Austrian German |
| Gender | male |
| Age range | 55 to 65 |
| Character | clean, deliberate and precise |
| Pitch | low pitch |
| Pace | slow pacing |
| Energy | low-to-mid energy |
| Resonance / timbre | resonant timbre |
| Modifiers | a gentle low-to-high flow |
| Applications | projecting academic authority |
2 failure modes we hit repeatedly, and what fixes each one.
Descriptor words do not transfer between languages. Energetic and bright travel intact, but most resolve to a different sound depending on the language they are read in, so a brief that produced a warm voice in one language will not produce the equivalent warmth translated into another. Write it in German terms rather than translating one that worked elsewhere.
Writing your first prompt? How to write a voice prompt covers every part a prompt can carry, and what each one changes.
An Austrian German male voice, 55 to 65: clean, deliberate and precise, with low pitch, slow pacing, low-to-mid energy, resonant timbre and a gentle low-to-high flow. Ideal for projecting academic authority. Name the accent as Austrian German, then set the age, the pitch, the pace, the energy and what the voice is for. Every accent Gradium maps is reached the same way.
Lenition of P, T and K above all: The voiceless stops soften, so Austrian German blurs the contrast between p and b or t and d in a way Hochdeutsch keeps sharp. It is the main reason the variety reads as gentler even at the same pitch and pace.
4 are ready to call today, with no design step: pick a voice id and go. Design one when you want an age, texture or persona of your own.
Charm and unhurried sociability. Kaffeehaus culture is part of what the accent signals, and Austrian German reads as softer and more courteous than any German variety while remaining a national standard rather than a dialect.
Include Kaffeehaus, Apfelstrudel, Servus. Those expose the accent, where a neutral paragraph any accent could read tells you nothing about whether it landed.
Those are names for the same territory, and this page covers them. Austrian German is the wording Gradium maps, so that is what to name in the prompt, but a brief written in any of these terms lands in the same place.
Both. Gender is its own part of the prompt, so it changes on its own: swap male for female and everything else holds. Same accent, same age, same delivery, different voice.
Yes. A designed voice is generated rather than cloned from a person, so there is no actor to license and no session to re-book when the script changes.
Every voice we ship clears blind listener comparison and an ELO ranking first, because roughly one candidate in a thousand has it. For Austrian German, the feature that decides it is usually Lenition of P, T and K.
Open a voice, type your own script, and listen. Then write a prompt of your own to design a variant. No recording, no casting, no licensing.